Prepare to expect something brilliant: Joss
Whedon has directed Shakespeare’s Much
Ado About Nothing.
One of writing’s best has taken on the master
bard. Under a shroud of secrecy, Whedon got his favourite ensemble of stars
together and shot Shakespeare’s classic comedy in secret, from his Santa Monica
villa over a 12 day period. Well known for his love of Shakespeare and
holding readings at his house, Whedon was apparently finally convinced by his wife to get
his favourite ensemble of actors together and film the project that has been
his personal passion for many years.
This is no flash in the pan Shakespeare
re-hash, it’s no drama club’s "Yah, uh, what we’re going to do is set Macbeth
on the ‘mean streets’ because that’ll really bring it to the ‘kids’.” Whedon’s vision of the
play is, "a deconstruction of the idea of love, which is ironic, since the
entire production is a love letter – to the text, to the cast, even to the
house it's shot in." Much Ado About Nothing is the product of
real passion for the text and years of Shakespearian obsession by Whedon; this
film can only be a good thing, if not a great thing.
Produced seemingly off the cuff, without any distribution
deals planned, Much Ado About Nothing
premiered at the Toronto Film Festival to great acclaim and has immediately
been snatched up by Lionsgate for distribution in cinemas for the rest of us to
see. It seems Whedon was cleverly betting on the play’s automatic popularity, as
well as his own reputation, to garner automatic interest, which it certainly has. It
won’t be long before Much Ado About
Nothing becomes yet another Whedon cult classic and, with any luck, make
English lessons a bit more fun.
Now, if you’re not already a big a fan of Joss
Whedon and William Shakespeare as I am then, well...Why the hell not?
Shakespeare: To be or not to be, nuff said.
Although senselessly abused by the drudgery of
half a million rubbish English teachers and am-dram Hamlets, Shakespeare’s
talent is simply breathtaking when performed well. There’s a reason why people
still go mad for his work four hundred years after.
Joss Whedon, a little lesser known as
Shakespeare I’ll admit, but still one of the most talented writers of our
generation. Buffy the Vampire Slayer,
Dollhouse, Firefly, not the most publicised TV shows to date but each of
them a massive game changer in US television. Whedon is acclaimed for masterfully
manipulating genuinely creative worlds and infusing them with real human heart;
creating powerful ensembles that can hold a story whether rampaging through
high speed cowboy-space-ship train robberies (actually happens in Firefly) or just sat around the table
eating dinner.
Oh and there’s also just the little matter of
writing and directing Marvel Avengers
Assemble, no big deal though.
If anyone in the world can bring the heart,
romance and hilarity of Shakespeare’s comedies back from the dead I can’t think
of anybody better than Joss Whedon.
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